They both later worked on the music for Out Of Africa. The results were not only one of the best Bond themes ever, but one of the best film songs ever, too. The 1927 Broadway drama Show Boat featured Jerome Kern and Oscar Hammerstein II’s song performed by actors, and, a year later, Paul Whiteman (with Bing Crosby on vocals) had a minor hit with it. ‘Flashdance… What a feeling’, performed by Irene Cara, is no doubt one of the most iconic songs throughout the history of American cinema music. The Godfather5. When you think of the song ‘Singin’ In The Rain’, you probably don’t think of Oliver Hardy being drenched by a faulty shower nozzle as the tune plays. Jason Reitman and Diablo Cody’s quirky dramedy about a misfit teenager who finds herself two months pregnant and decides to have and adopt out her baby gets a lot of things right. Penned for the semi-autobiographical film 8 Mile, Eminem recalled that writing the soundtrack “was different from my usual work because it forced me to step into Rabbit, the character I play in the film, and write from his point of view”. What a feeling indeed! He has admitted that the final version was his tenth attempt at creating a song about “agitated and grumpy” fictional character Gru falling in love. The phrase “days of wine and roses” was taken from a 19th-century English poem. Another song that made it into the movies only by chance, but which rightly deserves its place among the best film songs of all time, ‘Baby, It’s Cold Outside’ replaced Frank Loesser’s ‘Slow Boat To China’ and became a smash hit, winning an Oscar for Best Original Song. Russian-Jewish émigré Irving Berlin wrote ‘Cheek To Cheek’ in a single day, on demand, for the Fred Astaire-Ginger Rogers movie Top Hat. Thankfully, it was left in and ‘Somewhere Over The Rainbow’ earned its place among history’s best film songs when it won an Academy Award for Best Original Song. “He said, ‘Gee, that would be a nice title for a song.’” It won an Oscar and was later used as the theme tune for Day’s own TV show. ‘Que Será, Será’ was sung by Doris Day in the Alfred Hitchcock thriller The Man Who Knew Too Much. Frank Sinatra recorded the song in 1979, and it has ever since been recognized not only as the theme for the movie but also as one of the most important and famous songs about New York City of all times. Session bassist Carol Kaye said it took 33 takes to get ‘The Way We Were’ exactly as the producers wanted. Looking for more? Who would have thought that a song written for an Abbott and Costello comedy would become a wartime classic? A coming-of-age drama that transcends its era and speaks to all generations, The Breakfast Club’s emotional closing scene, in which five high-school students leave their Saturday detention, having asserted their individuality – and found out about their own true character – remains an iconic piece of high-school cinema. When a studio executive tried to have the song cut, Hepburn said, “Over my dead body.” Lots of jazz greats have covered it, but other interesting versions include those by Aretha Franklin, Patty Griffin, Elton John, R.E.M. That was in the 1944 movie The Big Noise. 8tracks radio. ‘My Heart Will Go On’ is the romantic ballad that plays as Leonardo DiCaprio and Kate Winslet embrace at the front of the ill-fated Titanic. To allow us to provide a better and more tailored experience please click "OK". The theme song from Martin Scorsese‘s film New York, New York (1977) was originally performed by the main actress of the movie, Liza Minnelli. Hope you enjoy them, too! 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